SongFest ’24 RULES

Rules are needed to ensure fairness to all and to provide a consistent framework for a successful singing festival.

1. FEES (Please do not post cash. Internet banking deposits preferred.)

·        If entry is for ONE SONG ONLY, total fee payable is $10.

·        Administration Fee - $10.00. This is a compulsory fee for each singer to help with printing and other costs (except the Cleveland Recital competitors).

·        Solo Entries and Duets - $4.00 per entry per singer. For duet classes, the fee applies to each member of the duo. 

·        Scholarship Recital - $10.00. The scholarship recital fee is additional to the fees above and includes for 2 songs listed in the recital schedule in Classes 50 and 51. To be eligible for prize money, singers must enter and perform in 2 other classes (4 songs in total).

·        Cleveland Recital (18 and under 21) - $10.00. The Cleveland Recital fee is the total fee payable for this class and includes for 3 songs listed in the schedule for Class 54 and family admission for this session only.

·        Vocal Entertainment (Under 21) - $5.00. This fee is the total fee payable for this class. The fee applies per person and is all-inclusive for entry and family admission.

 2. ENTRY LIMIT

We like to keep the Festival to a reasonable length, and to ensure as many singers have a chance to sing as possible. As such, the organising committee reserves the right to limit the number of solo items for any entrant (excluding duets) so that the total number of performances over the weekend is capped at 300. If this is required, we will contact singers with the greatest number of solo entries and ask them to drop one or more entries from their programme. Singers who have entries cancelled to comply with the cap will receive a refund for items deleted.  

3. LATE ENTRIES 

Entries received after the closing date may be accepted with a $20 late fee provided there is room in the programme. 

4. PRIZES

Ties: In the event of two vocalists being awarded FIRST EQUAL, any prize due (other than cash) will be awarded to both singers. Cash prizes will be divided equally between winners.

Scholarships, special prizes and aggregate prizes: Scholarships and special prizes will only be paid out if the adjudicator considers performance to be of sufficiently high standard.

Aggregate prizes will be decided on points. Points will be allocated to placings as follows: 5 points for the 1st eligible competitor, 3 points for 2nd and 1 point for 3rd. If equal placings are given, points as noted will be awarded to all place-getters for any placing. In the event of a tie for any aggregate prize, prize money will be divided equally.

Singers must perform in all classes applicable to be eligible for any aggregate prize, trophy or scholarship. The winners will be the competitors who gain the most points in the relevant classes and at the discretion of the adjudicator and organising committee.

Scholarships will only be awarded if THREE or MORE ENTRIES are received in each class and at the discretion of the adjudicator and committee. 

5. TROPHIES

All trophies remain the property of the Festival Society. Trophies won in the previous year are to be returned by the due date noted on the schedule. Trophy winners are responsible for the engraving of their names at their cost and to return the trophies in a clean and undamaged condition. Trophy holders are responsible for any damage incurred while the trophy is in their possession. Any trophy holder from last year who is entering the Festival this year will their have entries accepted only when they have returned their trophy in good condition.

6. REFUNDS

If for any reason an entrant withdraws from a class or classes, there will be no refund of fees. 

7. AGE LIMITS

Age shall be as at the start date of the competition. All singers must enter in applicable age groups where available. In duet classes, singers must enter in the age group of the oldest competitor.

8. AGE-APPROPRIATE SONG CHOICES

We encourage teachers and performers to ensure that all song choices (repertoire) are age appropriate.

9. ORDER OF APPEARANCE

Singers will appear in the order printed in the official programme unless other prior arrangements have been made with officials. Performers must be present when required (or they may be disqualified). Please advise the Convenor or one of the Festival organisers if you are unable to perform in any class.

10. MUSIC COPIES

For all Classical, Musical Theatre, Pop, Recital classes: a complete copy of the music or an original must handed into the music desk 30 minutes prior to the start of the class (or else the singer may be disqualified at the discretion of the organising committee). 

For Contemporary or Vocal Entertainment classes: Sheet music is not required.  

For Waiata: Please hand in a lyrics sheet to the music desk 30 minutes prior to the start of the class. 

11. OWN ACCOMPANIMENT

You can play your own acoustic accompaniment (piano, guitar, etc) for any class. 

12. BACKING TRACKS

Performers will be asked to email their backing tracks to us by a prescribed date before the competition. Playlists will be created. Performers will be asked to bring their tracks on their own USB stick as a backup.

·        Permitted for all classes except Cleveland Recital.

·        No vocals or "ghost singers" permitted in any backing track.

·        Classical classes: piano backing only.

·        Action Song in Character, Musical Theatre, Contemporary and the Vocal Entertainment classes: piano backing or full backing tracks permitted (your choice).

·        Waiata: simple single-instrument backing track is permitted. 

13. VOCAL ENTERTAINMENT CLASS (UNDER 21)

This class is non-competitive and open to singers of all ages under 21 years for solos, duos or groups. There are no placings or prizes awarded but each entry will receive an adjudicator's report. 

This class is intended for those who would like to sing in front of an appreciative audience but who don't wish to compete in the other classes.

We hope this will encourage participation in singing and provide an opportunity for singers to gain performance experience.

Those singers who enter any competition classes are not eligible to enter this class. 

Adjudication: The adjudicator will give singers helpful comments on: 

Technical ability

Costuming/dress/presentation   

Performance skills

Entertainment Value

14. VIDEO FILMING

Filming of your own child’s performance is permitted provided that it does not cause inconvenience or disruption to singers, the audience or the adjudicator. 

15. CLASSES

The Festival Committee reserves the right to divide or combine any classes or limit the total number of classes that an individual can enter where the number of entries warrants this.

16. ADJUDICATOR 

Remember – any singer who directly or indirectly communicates with the adjudicator prior to or during the Festival may be disqualified by the Festival Committee. This is to keep things fair both for the performer and to the adjudicator. There can be no appearance of interference in their assessment of any performer.

Also, singers will not be able to perform in any class if they have been taught by the adjudicator in the past two years. The decisions of the adjudicator are final, and the Festival Committee will not accept any verbal or written submissions from singers, teachers or whānau contesting those decisions.

17. REPORTS AND CERTIFICATES

These will be available at the end of each session at the music table.

18. ENTRANTS

All singers perform at their own risk and the Festival Committee accepts no responsibility for accidents or mishaps. Entries are accepted based on these conditions.

19. TIME LIMITS

As a guideline for teachers, solo items for all genres are to be a maximum of 3 minutes for under 12 years and 4 minutes for 12 years and over.

20. GENERAL RESERVATION

The Festival Committee reserves the sole right to interpret and apply these rules. The decision of the Committee in all matters will be final.